List / Advertise on This Page
Share this page:

Aurangabad Caves

Historical

Photo Credit: Flickr

Distance (From Aurangabad Railway Station): 8 Kms

Trip Duration (Including Travel): 2-3 Hours

Place Location: Near Bibi Ka Maqbara

Transportation Options: Bus / Cab / Auto

Travel Tips: None

At a distance of 3 km from Bibi Ka Maqbara and 8 km from Aurangabad Railway Station, the Aurangabad Caves are 12 artificial rock-cut Buddhist Caves located on a hill running roughly east to west in Aurangabad. Sculptural carvings of Aurangabad Caves can be compared to the best paintings of Ajanta. These are one of the the popular Aurangabad tourist places and among the best heritage places to visit near Mumbai.

The first reference to the Aurangabad Caves is in the great chaitya of Kanheri Caves. The caves are datable from circa 2nd - 3rd century AD to 7th century AD. The Aurangabad Caves were dug out of comparatively soft basalt rock during the 6th and 7th century. The caves are divided into three separate groups depending on their location. The first group of caves consists of cave number 1, 2, 3, 4 and 5, the second group comprises of cave number 6, 7, 8 and 9, while the last and the third group is made up of cave number 10, 11 and 12. The distance between the first and second group of caves is approximately 500 m. The first group of caves is situated on the western side of a hill, while the second group lies on the eastern side of the same hill. The third group of caves, outside the Aurangabad city, is located to the east of the second group.

Cave 1 & Cave 3 are the earliest excavations here and are probably date back to 2nd - 3rd century AD. The first clusters of Caves, also known as Cave 1, are the incomplete set of caves with old-fashioned pillars and obscure ornamentation. Cave 2, a square-shaped shrine resembling traditional temples, has a mammoth image of a seated Buddha. Several other figures of Buddha can also be seen adorned on the walls and the porch. Cave 3 is in the form of a chaitya griha of the Hinayana order, and is believed to be the largest and the most beautiful of all. A large verandah with a huge monastery resembles the interiors and the architecture at Ajanta. The heterogeneous rock formation here has prevented very large scale excavations.

The remaining caves are generally ascribed to the Kalachuri dynasty. Of all, Cave 7 is the most elaborate and famous for its sculptural embellishments. On plan it includes a central shrine with circumambulation with an outer corridor running all around. This corridor has recesses at regular intervals which are carved with various Buddhist gods and goddesses. The front wall of the verandah has very beautiful representation of a panel of litany of Avalokitesvara and Bodhisattva on either side of the entrance to the shrine. The litany of Avalokitesvara is particularly more elaborate from similar examples at Ajanta and Ellora.

The other important sculptural panels are of Tara, the principal consort of Avalokitesvara, depicted to the left of central shrine door and a group of six female musicians on the left wall of the main shrine. The latter is particularly very famous and often taken as the representative sculptural panel of the Aurangabad Caves. The main figure at the center is in a dancing attitude, with the five others playing different musical instruments. The remaining caves of the second group are of less important due to incomplete excavations.

Timings: 9 AM to 5 PM.

Entry Fee: Rs. 10 for Indians and Rs. 100 for Foreigners.